website

“How String Changed the World”

We welcome acclaimed fiber artist, Cameron Taylor-Brown to our guild meeting Thursday, February 16th, 7-9:30.

Our talk will start at 7:15, in order to be finished on time.

http://www.camerontaylor-brown.com/

Cameron is based in Los Angeles, and studied fiber arts with Ed Rossbach at UC Berkeley.

Her artwork is widely exhibited and has been published in American Craft, Fiberarts, Shuttle, Spindle and Dyepot and the Fiberarts Design Books Four, Five, Six and Seven . She travels Southern California and Arizona as the regional representative for several top yarn companies, including Rowan, Filatura de Crosa and Manos del Uruguay. An experienced teacher and facilitator, she conducts workshops throughout the country exploring design, color, creativity and the collaborative process.

Cameron Taylor-Brown was a founder of ACCESS Community Arts & Education, a consulting partnership that worked with classroom teachers and artists to make direct connections between the arts, curriculum, educational content standards and community arts experiences. Two accessARTS models, Start with Art and Arts in the City , were developed with the support of California State Charter School Grants. These classroom-tested models were disseminated throughout the state of California in 2004-5. accessARTS strategies remain central in Cameron’s approach to teaching and learning.

Supplies each guild member should bring:

2-4 small sticks - each 10-12 ” long, no more than 1/2 inch or so in diameter

about 2-3 oz of plied yarn, 800-3,000 yards per pound

a handful of un-spun fiber, any type

a handful of small rocks (each about the size of a quarter or so)

scissors

masking or duct tape

digital camera suggested

Exhibit at Redwood City Library 2011

Exhibit at Redwood City Library 2011

Redwood City Library exhibit 2009

Exhibit at Redwood City Library 2009

Stephenie Gaustad

Will present a program on

Spinning for Weaving

cotton blossom courtesy of J. Ruane

Stephenie is an artist, designer, illustrator, weaver and experienced teacher. She has just produced a DVD on spinning cotton for Interweave Press.

Tien's wedding dress

Tien Chiu’s wedding dress, completed in April 2010.  For more information, see Tien’s wedding dress page on her website.

photos by Judy Dauberman

What began as an idea, ended with five well-constructed jackets from handwoven fabric.

What happened in between was a lot of learning, experimenting, deep thinking, friendship, and fun.

The students who participated in Sharon Alderman’s fabric design workshop last spring were given the gift of Sharon’s extensive knowledge of how to create quality fabric on the loom and how to successfully finish fabric off the loom. Most of workshop participants were exhausted at the end of Sharon’s intensive three days of teaching (Sharon gave her all to the group) and many students put their lessons learned into practice by designing and creating jacket-worthy yardage.

Dinner setup with live music began around 6 pm, Potluck at 6:40, and a new method of running the gift-swap by means of a clever poem, so all swapping happened before any unwrapping, was a delightful success.

Kathryn Rousso weaves, writes about, and photographs baskets and bags. She has a Bachelor of Arts from the University of Washington, a Certificate of Merit in Northwest Coast Basketry and Textiles from the Totem Heritage Center in Ketchikan, Alaska, and a Master of Fine Arts in Textile Arts and Costume Design from the University of California, Davis. Her first baskets were woven under the guidance of Delores Churchill, Holly Churchill and many others at the Totem Heritage Center. Rousso was exposed to Mayan textiles as a Peace Corps volunteer in Guatemala during the late nineteen-eighties and later discovered new weaving techniques and materials in Peru, Bolivia, Ecuador, Mexico, Panama, Indonesia, and New Zealand. In 2001 she was awarded a Fulbright grant to conduct research on maguey net bags in Guatemala. Her time is now split between Ketchikan Alaska, Guatemala, and Mendocino, California where she is the textile coordinator at the Mendocino Art Center. Her contemporary baskets incorporate elements of twined, looped, and braided maguey fibers, cedar bark and spruce root, plus a few surprises.

Here is her website for those people who would like know more about her, and see some of her current works.

The day before leading several of us into a three-day workshop on sewing a jacket from our handwoven textiles, Daryl Lancaster gave us all a slide lecture on her history as a textile artist and brought samples of her handwoven textiles and garments to see and handle.

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